Cheers reruns are on late at night here. Get this plot:
Diane receives a rejection letter for a poem she submitted to a literary journal. It's clearly a form letter ("while not completely without promise…"), and Sam says so. She insists it is a personalized letter and that they were enamored of her work. Sam tells her that to prove it, he's going to submit a poem too, so that when he gets his rejection letter she can see that it's the same as his.
What? I cannot think of another example of a sitcom that dealt with the perils of publishing poetry.
It gets better though. Because one of the reasons journals don't occupy TV time is that they journal time is glacial, and was even more so pre-internet when you had to type up your stories and send them through the mail. So when Diane comes into the bar and says, "It's been three weeks. *I* got my letter in two weeks," I forgive them, because you can't really expect them to let eight months or a year pass before this story concludes. But when Sam says, "No, I didn't get my letter, but check out the latest issue," which is sitting on the bar, and his poem is included… well, that's funny.
The whole story – just so I don't leave you hanging – is that Diane recognizes the poem and knows it's plagiarized but can't figure from where. Finally, Sam reveals he lifted it from one of her letters to him, and she is happy. She is a published writer after all.
It was all very sitcom, but the thing is, this was the first moment she actually seemed like a likeable character to me. It didn't hurt she had her hair in a ponytail, instead of that weird 80s triangle, and wore a big flannel shirt, rather than something pastel with lace at the neck. She's such a harpy, usually, but I'd rather read most people's love letters over their poems any day.
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